Anatomy of a Smile
Welcome. Here are notes about works in progress, workshops, writings and other bits that haven't made it onto Instagram or my website. I don't update regularly but this is a 'live' site, so please check back. 'Anatomy of a smile' is a line from an Aldous Huxley novel called 'Point Counter Point'. It gracefully excavated a formerly innocuous character and revealed their inner unkind complexity.
Saturday 22 June 2024
Exploding day-to-day climate relations
Monday 1 January 2024
Blue Rec - production images
Sunday 24 December 2023
Midwinter Potato Plate
Some time ago on a whim I purchased an old-style cake plate. I think I might have only used it once for cakes and since then to keep the potatoes in order in their dark cupboard. I liked its tranfer decoration of a brown landscape with vividly tinted figures. Just as something to play with really. I always felt there was a story within the scene:
...
It is a landscape drawn in the round. In the farthest distance are trees with bulbous foliage like succulent plants, drawn as if so many caterpillars were piled up and balanced, on boughs which have tough elbow-like angles to them and each of these teeter-tottering poles have a margin of punctuation marks. The trees stand under clouds that are made to have an almost wooden grained texture, but it might be that they are actually mountains topped with red volcanic clouds.
Oblivious of the complete environmental breakdown oozing towards them as a flow of lava channeled underneath the arches of a bridge drawn with drastically swerving perspective, a couple walk towards us arm in arm. They are conversing, and it is quite obvious that we are meant to understand them as a courting couple. The male gestures derisively towards another figure leaning back on one elbow to their left, who is perched on top of a recumbent, green, many legged creature, as if to say, 'Hey, look at this lazy lout, he has subdued this beast but now doesn't know what to do with it'. But the lout ignores them to look beyond, not to the chaos unfolding, but two more people who have paused under an arch in a building to the far right. This couple are quite different in emotional tone. They are pictured as having happened upon the scene unfolding in their full moment of horror, corralled into the devastation by the wall to their left and backlit by the late afternoon sun which causes shadows to fall across the whole scene. We can see that the figure wearing a blue full-length robe has raised its hands to its face, perhaps to call out, or maybe wipe away tears. While the other holds out a short, thin stick, perhaps to indicate their vision, or possibly to attempt some defence, which seems to unlikely to succeed.
The only other figure in the scene is pictured in the middle distance sitting on a kind of vehicle, preparing to pass over the bridge while driving in front of them a four-legged creature. We can see that a second creature of the same type has already passed over the bridge, possibly leading but perhaps being chased.
This soon to be destroyed Eden is captured within a circular net, crested with equally-spaced white crenellations, beyond which is a desert of lava and then a hedge of twisting roses. Situated beyond this point can only be the end-of-the-world, represented by a repeating pattern of blank-faced four-petalled, pimpernel blooms.
Monday 20 November 2023
Some install images from Blue Rec.
Tuesday 22 August 2023
Observation Station becomes Museum of St Mary's Allotments
This is the Observation Station in it's latest performance: pride of place next to the composting loo right next to the carpark at St Mary's Allotments in Leamington Spa :-) It is there with many thanks to wonderful concealed-curator Tammy Woodrow and allotmenteer poet Nigel Briggs.
I will post a bit more about the Museum of St Mary's in a few days to coincide with the opening of the Art Trail for Warwickshire Heritage Open Days. But just to say that I am really grateful for those who have come forward with more artefacts they have found in their allotments to feature in the museum. These are fascinating and I'm really looking forward to sharing them.
Contact:
me: via this site or Instagram @anatomyofasmile
Tammy: https://tammywoodrow.jimdofree.com/ or Instagram: @tammywoodrow
Update: Just to say that sharing the museum was great, and that the art trail was a great success for Tammy and her team. With the artefacts safely tucked away the Observation Station is now over-wintering in my garden and awaits further plans.
Thursday 4 May 2023
Ground Level
I don’t want to hug trees, they can’t move or give permission so it isn’t a two way hug. I feel I am taking and this lacks a care and respect for bodies that should be present. However, there is place where they come to me into my world. Where parts of their bodies are washed to a place where we access equally: the ground. Our bodies intermingle; their bark, my skin, their leaves, the shopping list accidentally dropped from my pocket. This ground - ground level - where we converse speechlessly at equal standing is of course colonised by the un-degraded waste of humanity - screaming so loud it is difficult to appreciate.
Sunday 5 March 2023
Mapping Sloughing
I'm studying MA Contemporary Art & Archaeology part-time and therefore my attention has been taken up with lots of writing in a journal and not so much on the blog. It has been very absorbing and helpful. Leading me to think about the found object collections I make and subsequent assemblage works as a kind of conceptual mapping. Not in any way topographical or geographical representations of space, but how feelings about being in certain spaces and how this related to how I thought the objects I found gathered together.
For this recent open studio I constructed a hanging hoizontal grid and played around with a couple of older collections I'd made quite near the studio. Mapping, now realigned, enabled things in the map to relate to each other as well as to my memory of how I found them. Different species of maple leaves were kept apart, pine needles formed a row like the row of pine trees alongside the trainline from whence they came, plastic headphone casing cradled smashed headlight plastic because I thought of how that might sound that whenever I saw them. But there were visual groupings that related only to each other - circles and colour related maps that were woven into the whole - where I was thinking about those collecting walks, archaeologists call them 'walkover surveys', where the first thing I'd picked up became set a key for all the other things I was drawn to subsequently.
Adding an Arduino powered servo which hit the grid repeatedly made all the things move and shimmer and I amused myself during the day with adding more things and changing the tempo of the servo. It didn't take much might to make everything in the grid move just a little bit - some pushed a little each time until they fell off.
I seemed to have re-attuned myself over the day. That night I didn't sleep well, constantly visualising little bits of stuff vibrating. Kept catching sight of things possibly moving out of the corner of my eye. Fortunately it only lasted one night!
Since this, I've been thinking more about mapping and specific experience of place. I've been limiting my collections to one walkover and then seeing what I can make. This has co-incided with the seasonal dropping of tree and shrub twigs - they dropped their leaves in January - which is fine material to make grids with. I have dogwood, birch and mistletoe. And I've gone back to using scanners as a way to document and create further grids to accentuate the action of watching and recording.